-16 LUFS · -1 dBTP true peak · 12-16 LU dynamic range
The exact LUFS target, EQ profile, and compression settings for mastering Lo-Fi music specifically for Apple Music — based on Apple Music's normalization algorithm and Lo-Fi's sonic character.
Apple Music targets -16 LUFS (Sound Check). Mastered for iTunes (now Apple Digital Masters) recommends headroom and 24-bit delivery. Avoid harsh limiting.
Lo-fi character: Apply gentle vinyl crackle or tape saturation BEFORE the master limiter.
Warmth: Boost 80–200 Hz for vintage warmth. Roll off aggressively above 12 kHz for the 'old record' effect.
Low-end: Tight high-pass at 50 Hz. Lo-fi doesn't need sub-bass — keep it simple.
No brightness: Do NOT boost high frequencies. Lo-fi intentionally lacks 'air' — brightness destroys the aesthetic.
Soft limiting: Lo-fi should breathe at -16 to -18 LUFS — do NOT push hard. The quietness IS the aesthetic.
Tape saturation: Apply subtle harmonic saturation to glue the mix. This is character, not correction.
Vinyl simulation: Add subtle wow/flutter effect if your mastering chain supports it.
How Lo-Fi mastering specs differ across every major streaming platform.
| Platform | Integrated LUFS | True Peak | Current page |
|---|---|---|---|
| -14 LUFS | -1 dBTP | View guide → | |
🍎Apple Music | -16 LUFS | -1 dBTP | You are here |
▶️YouTube | -14 LUFS | -1 dBTP | View guide → |
| -14 LUFS | -1 dBTP | View guide → | |
| -11 LUFS | -0.5 dBTP | View guide → | |
| -14 LUFS | -1 dBTP | View guide → |
MixMasterAI applies exactly these settings — -16 LUFS, -1 dBTP, genre-optimized EQ — in 60 seconds. Free.
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-16 LUFS is the target, but lo-fi typically masters at -16 to -18 LUFS intentionally. Apple Music will not boost it — the quietness is part of the aesthetic and listeners expect it.
No — vinyl crackle and tape hiss are intentional lo-fi elements. Apply them before mastering so they're baked into the final file. The master limiter then treats them as part of the signal, preserving the authentic texture.
Boost 100–200 Hz for warmth, but apply a tight high-pass at 50 Hz to remove rumble. Cut 300–400 Hz by 2–3 dB to reduce muddiness if needed. The warmth should come from midrange saturation, not low-frequency buildup.