Extreme compression, digital brightness, maximal sonics
Exact LUFS targets, EQ profiles, and compression settings for mastering Hyperpop music on every major streaming platform. From Spotify and Apple Music to Beatport and Audiomack.
| Platform | LUFS Target | True Peak | Dynamic Range | Full Guide |
|---|---|---|---|---|
๐ขSpotify | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐Apple Music | -16 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
โถ๏ธYouTube | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐Tidal | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
โ๏ธSoundCloud | -11 LUFS | -0.5 dBTP | 4-7 LU | Full spec โ |
๐ตTikTok | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐งAudiomack | -13 LUFS | -0.5 dBTP | 4-7 LU | Full spec โ |
๐๏ธBeatport | -9 LUFS | -0.3 dBTP | 4-7 LU | Full spec โ |
๐จBandcamp | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐ธInstagram / Reels | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐ฆAmazon Music | -14 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
๐ถDeezer | -15 LUFS | -1 dBTP | 4-7 LU | Full spec โ |
Core EQ principles for Hyperpop mastering. Platform-specific adjustments are in each guide below.
Extreme high-end: Boost 8โ12 kHz aggressively (3โ5 dB) for the piercing digital brightness. Hyperpop intentionally sounds harsh and extreme. This is correct.
Distorted sub-bass: Heavy sub-bass distortion at 40โ80 Hz. Allow intentional harmonic saturation for the blown-out low-end character of the genre.
Pitch-shifted vocals: Heavy pitch-shifted vocals dominate. Boost 4โ8 kHz for the extreme high vocal presence and maintain the processed, artificial quality.
No warmth: High-pass aggressively at 60โ80 Hz on most elements. Hyperpop avoids natural low-mid warmth. Keep the frequency picture sharp and extreme.
Generated your Hyperpop track with Suno, Udio, or another AI? Fix the specific artifacts.
Fix 5 common artifacts
Fix 5 common artifacts
Fix 5 common artifacts
Fix 5 common artifacts
Fix 5 common artifacts
Fix 5 common artifacts
Target -14 LUFS integrated. Hyperpop benefits from a very narrow 3โ6 LU dynamic range. The genre is maximally compressed. Loudness normalization on Spotify means going louder than the target only loses dynamics with no perceived benefit.
The harshness IS the genre. Don't try to fix it. Boost 8โ12 kHz, allow the high-end to be aggressive, and use a transparent limiter that doesn't round off the extreme transients. Heavy sidechain pumping of 5โ8 dB should be audible and exaggerated. The goal is controlled chaos.
Generally yes. The 8โ12 kHz harshness survives streaming compression on Spotify. The frequencies are strong enough to survive AAC/OGG encoding.
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