Tools/Loop Maker/Filmmakers
Loop Maker for filmmakers
Create seamless audio loops from any sample. Tuned for filmmakers and video editors — runs entirely in your browser, no signup, no upload.
Loudness target
-23 LUFS
True peak
-2 dBTP
Output format
WAV
Bitrate / depth
24-bit
Why filmmakers use this
Format mismatches, sample rate conflicts, loudness drift
Video edits live at 48 kHz, music gets exported from DAWs at 44.1 kHz, and stock SFX come in any format. A film audio pipeline ends up converting between rates, depths, and containers constantly. Browser tools handle the small one-off conversions that don't justify booting Pro Tools for a 5-second clip.
For filmmakers and video editors, the typical workflow is: Source audio → convert → time → import to NLE. The Loop Maker fits in that chain by handling create seamless audio loops from any sample. — without leaving the browser, without uploading the file, and without a watermark.
Recommended settings
The right config for filmmakers and video editors
| Setting | Recommended | Why |
|---|---|---|
| Sample rate | 48 kHz | Cinema/broadcast/streaming video standard |
| Bit depth | 24-bit | Industry standard for film post |
| Loudness target | -23 LUFS (broadcast) or -16 LUFS (streaming) | EBU R128 broadcast vs Netflix/streaming spec |
Where this fits in your workflow
The filmmakers and video editors workflow
- 01Source audio→
- 02convert→
- 03time→
- 04import to NLE
More for filmmakers
Other tools filmmakers and video editors use
MP3 to WAV
Convert MP3 to 16- or 24-bit lossless WAV in seconds.
Open →MP3 to FLAC
Re-encode MP3 audio into a lossless FLAC container.
Open →WAV to FLAC
Shrink WAV files into lossless FLAC without quality loss.
Open →MP3 to OGG
Convert MP3 to open-source Ogg Vorbis.
Open →WMA to MP3
Convert legacy Windows Media WMA into MP3.
Open →AIFF to WAV
Convert Apple AIFF master files to WAV.
Open →Audio Reverser
Reverse any audio file for risers, FX, or sample flips.
Open →Fade In / Fade Out
Add smooth fade-ins and fade-outs to your audio.
Open →Filmmakers FAQ
Why does video use 48 kHz instead of 44.1 kHz?
Broadcast standards. Cinema, broadcast TV, and streaming video all standardize on 48 kHz, while music streaming (Spotify, Apple Music) standardizes on 44.1 kHz. If your audio came from a music project, resample to 48 kHz before importing into your video timeline.
What loudness for streaming video?
Streaming video targets -23 LUFS for broadcast (EBU R128) or -16 LUFS for Netflix/streaming. YouTube uses -14 LUFS. Match the platform you're delivering to.
Upload a track to
instantly master
Choose a file or drag it here
Supports WAV · FLAC · MP3 · M4A · AIFF