Tools/Pitch Shifter/Beat Makers
Shift pitch up or down without changing tempo.
Beat-making lives in samples. You pull audio from anywhere. YouTube rips, vinyl scans, AI generations. And chop, pitch, reverse, and stretch it into something new. The faster the in-browser pre-processing (clean up the source, get it into WAV, shift the pitch by a few semitones), the more time you spend writing.
For beat makers and producers, the typical workflow is: Source samples → chop → pitch/stretch → load into DAW. The Pitch Shifter fits in that chain by handling shift pitch up or down without changing tempo.. without leaving the browser, without uploading the file, and without a watermark.
| Setting | Recommended | Why |
|---|---|---|
| Sample format | WAV 24-bit | Stays lossless through chopping, pitching, and DAW import |
| Sample rate | 44.1 kHz | Matches most DAW project defaults (FL, Ableton, Logic) |
| Bit depth | 24-bit | Headroom for pitch and time-stretch artifacts to live above the noise floor |
MP3 to WAV
Open →MP3 to FLAC
Open →WAV to FLAC
Open →AIFF to WAV
Open →Batch Audio Converter
Open →Audio Reverser
Open →Loop Maker
Open →Vocal Remover
Open →Pitch Shifter for Suno users
Process Suno-generated tracks for distribution and DAW work
See →Pitch Shifter for Udio users
Process Udio output for release and remix
See →Pitch Shifter for DJs
Prep tracks for sets. Sync key, BPM, formats
See →Pitch Shifter for indie artists
Self-release without a studio
See →WAV at the original sample rate of the source. Don't convert to MP3 first. It adds a generation of compression that survives chopping. Keep it lossless until the final beat is bounced.
Yes. That's exactly what a pitch shifter does. Shift up or down in semitones (or cents for fine tuning), and the time stays the same. For dramatic pitch shifts beyond ±5 semitones, expect some artifacts.