Why voiceover artists use these
Mouth clicks, breath noises, dead air, inconsistent levels
Voiceover delivery is heavy on cleanup. Every take needs silence trimming, level matching, and chunking by line or chapter. Audiobook clients want -18 to -23 LUFS with -3 dBTP peaks; commercial work wants -16 LUFS. Browser tools cover the full delivery flow without leaving Chrome.
The lineup
7 tools for voiceover artists
Audio Trimmer for voiceover artists
Trim silence and dead air from any audio clip.
Open guide →Audio Merger for voiceover artists
Stitch multiple audio files into one seamless track.
Open guide →Audio Splitter for voiceover artists
Split a long audio file into smaller named pieces.
Open guide →Speed Changer for voiceover artists
Change playback speed without affecting pitch.
Open guide →Volume Booster for voiceover artists
Increase loudness on quiet recordings safely.
Open guide →Silence Remover for voiceover artists
Auto-remove silent gaps from podcasts and recordings.
Open guide →Audio Cutter for voiceover artists
Cut precise sections out of your audio with a waveform.
Open guide →Voiceover Artists FAQ
What loudness for audiobook delivery?
ACX (Audible) requires -23 to -18 LUFS integrated, with -60 dB or quieter noise floor and -3 dBTP peaks. Most narration sits around -19 LUFS for safety inside the window.
Should I encode VO as MP3 or WAV?
Most clients want WAV for the master, then convert to whatever format they distribute. ACX specifically wants MP3 192 kbps CBR mono per chapter — convert at the end of the pipeline.
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Supports WAV · FLAC · MP3 · M4A · AIFF