Waveform
Phonk typical envelope
EQ Profile
808 Slide (50–100 Hz) & Cowbell Character (800 Hz–1 kHz)
LUFS Target
Audiomack integrated
Spectrum
Pink-noise reference
Phonk Mastering for Audiomack
Dark 808 slides, cowbell presence, dusty tape aesthetics · Tuned for Audiomack playback
Target: -13 LUFS · True Peak: -0.5 dBTP · Dynamic Range: 5-8 LU
Phonk Mastering Specification. Audiomack
| Parameter | Phonk Specification |
|---|---|
| Loudness Target | -13 LUFS integrated (Audiomack optimized) |
| True Peak Ceiling | -0.5 dBTP. Inter-sample peak limit |
| Dynamic Range | 5-8 LU LU. Genre-appropriate |
| EQ Focus | 808 Slide (50–100 Hz) & Cowbell Character (800 Hz–1 kHz) |
| Stereo Image | Centered and dark, minimal stereo width |
| Platform Algorithm | Audiomack normalizes to approximately -13 LUFS and is the leading streaming platform for hip-hop, Afrobeats, and Afropop in Africa and the diaspora. |
Why Phonk on Audiomack Needs Specialized Mastering
Phonk mastering is defined by the tension between its dark Memphis tape aesthetic and the modern 808 weight that contemporary phonk demands. The cowbell at 800 Hz–1 kHz. The genre's signature sound element. Creates harsh peaks that collide with vocal reverb and 808 overtones in the same frequency range. A tight parametric cut of 2–3 dB at 900 Hz reduces the cowbell's metallic edge while preserving its presence. The 808 slide. Portamento from one pitch to another over 200–500 ms. Generates changing fundamental frequencies that interact with the mix's low-pass resonance, causing audible resonance spikes if not controlled with dynamic EQ. Tape saturation is expected: 2nd and 3rd harmonic distortion at 2× and 3× the 808 fundamental makes sub-bass audible on phone speakers that can't reproduce below 80 Hz. The dusty, lo-fi aesthetic means a slight high-frequency rolloff above 14 kHz is desirable. But the master should not sound filtered. Keep transients sharp even as you darken the top end. A multiband compressor that applies heavier compression above 8 kHz while leaving the sub-bass and low-mids dynamic achieves this balance without sacrificing the genre's menacing low-end character.
Audiomack context: Audiomack normalizes to approximately -13 LUFS and is the leading streaming platform for hip-hop, Afrobeats, and Afropop in Africa and the diaspora. Tracks stream on a wide range of devices including budget Android phones. Prioritize sub-bass clarity and mid-range punch that translates on smaller speakers.
Phonk × Audiomack. The Normalization Math
How -13 LUFS interacts with Phonk's natural loudness window
Phonk's natural -10 to -8 LUFS loudness sits roughly 4.0 dB hotter than Audiomack's -13 LUFS target, so the platform turns the master down at playback. The competitive instinct to push to -7 or -8 LUFS for "loudness wars" parity is wasted on Audiomack. the platform takes the gain back, and the only result is the dynamic compression you paid for with no perceived loudness benefit. Target -13 LUFS integrated directly and bank the saved dynamic range as saturated and intentional. The -0.5 dBTP ceiling specified for Audiomack prevents inter-sample peaks from clipping during the codec's reconstruction filter, which is especially relevant for Phonk's 200-400 Hz Memphis cowbell content where high-amplitude transients accumulate against the limiter.
Codec Reality for Phonk on Audiomack
Audiomack streams AAC at 192 kbps, with the codec's artifact tendency clustered at 60-100 Hz sub-bass on budget Android playback. For Phonk, the vulnerable 200-400 Hz cowbell mids overlaps with the codec's weak zone, so masters that sound clean on monitoring loudspeakers can develop swirly, modulated artifacts on Audiomack playback. Bake a -1 to -2 dB shelf cut around the artifact band into the master, or accept that Audiomack's mid-tier playback will compress the genre's character. The dynamic-range character of Phonk (saturated and intentional, 5-8 LU) interacts with this codec tier specifically: compress conservatively, then let the codec do the rest. Over-compression at the mastering stage stacks with the codec's loudness handling and produces a flat, fatigued listening result.
Phonk EQ Profile for Audiomack
Sub-bass foundation: Heavy boost at 50–70 Hz for the signature 808 slide. High-pass below 30 Hz for rumble control.
Cowbell presence: Boost 4–6 kHz by 3–4 dB for the iconic phonk cowbell cut-through. This is the most important frequency for genre recognition.
Vocal grit: Subtle saturation in the 200–800 Hz range adds the dusty tape character. Do not clean up the lo-fi edge. It is intentional.
High-end rolloff: Hard shelving cut above 8–10 kHz for the dark tape-saturated aesthetic. Phonk must NOT sound modern or bright.
Compression & Limiting for Audiomack
Sidechain pump: The kick-to-808 sidechain pump is essential to phonk. It must survive mastering audibly. Use 3–5 dB of sidechain compression.
Aggressive limiting: Phonk tolerates hard limiting for maximum impact. Target 5–8 LU dynamic range. The compressed aesthetic is intentional.
Tape saturation: Subtle master bus saturation (1–3%) adds harmonic content and the dusty analog feel that defines the genre.
Phonk LUFS Targets. All Platforms Compared
How Phonk mastering specs differ across every major streaming platform.
| Platform | Integrated LUFS | True Peak | Current page |
|---|---|---|---|
| -14 LUFS | -1 dBTP | View guide → | |
| -16 LUFS | -1 dBTP | View guide → | |
▶️YouTube | -14 LUFS | -1 dBTP | View guide → |
| -14 LUFS | -1 dBTP | View guide → | |
| -11 LUFS | -0.5 dBTP | View guide → | |
| -14 LUFS | -1 dBTP | View guide → | |
🎧Audiomack | -13 LUFS | -0.5 dBTP | You are here |
🎛️Beatport | -9 LUFS | -0.3 dBTP | View guide → |
| -14 LUFS | -1 dBTP | View guide → | |
| -14 LUFS | -1 dBTP | View guide → | |
| -14 LUFS | -1 dBTP | View guide → | |
| -15 LUFS | -1 dBTP | View guide → |
Technical Methodology. Phonk Mastering for Audiomack
Target: -13 LUFS integrated · -0.5 dBTP true peak · EBU R128 / ITU-R BS.1770-4 compliant
We measure integrated LUFS using K-weighted filtering per ITU-R BS.1770-4: a high-shelf pre-filter at 1681.97 Hz (+3.9998 dB gain) followed by a 75 Hz high-pass (Q=0.5) to remove DC offset and low-frequency rumble. The mean square of the filtered signal gives us integrated loudness in LUFS.
True peak (dBTP) is measured at 4× oversampling to detect inter-sample peaks that occur between digital samples. Sample-peak measurement alone misses these peaks, which cause audible clipping during AAC and MP3 lossy encoding on streaming platforms. We enforce the true peak ceiling at -1 dBTP for all standard platforms.
Genre EQ profiles apply frequency-specific gain based on each genre's sonic characteristics: mud reduction at 250–400 Hz for hip-hop and trap, presence enhancement at 2–4 kHz for vocal clarity on phone speakers, sub-bass high-pass at 30–35 Hz for all genres to remove inaudible subsonic content that wastes headroom.
Master bus compression uses a VCA-style algorithm with genre-tuned attack and release times. Lo-fi and jazz use 50 ms attack to preserve transients; EDM and techno use 5–10 ms for density. Parallel compression blends the compressed signal at 20–40% wet to lift room sound without eliminating the uncompressed transient attack.
The final limiter stage uses lookahead limiting (3–5 ms) to catch transient peaks before they exceed the true peak ceiling. The limiter targets platform-specific LUFS: -14 LUFS for Spotify, -16 LUFS for Apple Music, -11 LUFS for SoundCloud, -9 LUFS for Beatport. Gain reduction is transparent at 1–2 dB of limiting; beyond 3 dB audible artifacts require reducing the input drive.
All processing runs in your browser via Web Audio API. No audio data is uploaded to any server.
Phonk Mastering FAQ. Audiomack
What LUFS for phonk on Audiomack?
Target -13 LUFS integrated for Audiomack. Phonk benefits from a dense 5–8 LU dynamic range. The compressed, saturated sound is part of the aesthetic.
How do I get the 808 slide to hit in phonk mastering?
Boost 50–70 Hz for the 808 body and ensure the low-end is mono below 80 Hz. The sidechain pump between the kick and 808 must survive mastering. Check it explicitly before finalizing. Use True Peak limiting to prevent inter-sample clipping on the 808 slide.
How do I keep the cowbell cutting through on Audiomack?
Boost 4–6 kHz by 3–4 dB on the master bus. The cowbell is the signature element of phonk. If it disappears in the master, the genre identity is lost. Check mono compatibility. The cowbell's stereo position should remain clear.
Phonk Mastering for Other Platforms
Other Genres on Audiomack
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